Equipment Rental Price List

The RED ONE MX a revolutionary camera when it came out in 2007 and a clasic now. However this MX version, around sins 2011, is still very much up to date with its 4.5K resolution and 13 stops of dynamic range.

 

Utilizing an S35mm image plane, the RED ONE displays a natural depth of field from 2K to 4.5K resolutions.

 

Seize every moment with the ability to capture anywhere from 1-120 fps onto high-speed RED SSD media.

 

   Available as package including:

 

  • Rig with top handle, quick release plate
  • Matte box with filters
  • Bomp EVF
  • Monitor
  • Set of 5 prime lenses
  • 2 batteries with charger
  • 2 Redmag 64GB and cardreader

SENSOR 14 Megapixel MYSTERIUM-X® - PIXEL ARRAY 5120 (h) x 2700 (v) - MAX IMAGE AREA 4480 (h) x 2304 (v)

DYNAMIC RANGE 13+ stops

S/N RATIO 66 dB

LENS COVERAGE 24.2mm (h) x 12.5mm (v) x 27.3 mm (d)

MAX DEPTH OF FIELD Equivalent to S35mm (Motion) lens, equivalent to 16mm (Motion) lens in 2K RAW

PROJECT TIMEBASE 23.98, 24, 25, 29.97 fps @ 4K and 4.5K resolution, 50, 59.94fps @ 2K and 3K resolution

RECORDING FRAME RATES  1–30 fps @ 4.5K, 4K, 1–60 fps @ 3K, 1–120 fps @ 2K

REDCODE® COMPRESSION 12-bit RAW : RC28, 36, 42 Quality Levels

REDCODE RAW

 

ACQUISITION FORMATS 4.5K (2.4:1) - 4K (16:9, HD, 2:1, and Anamorphic 2:1) - 3K (16:9, 2:1, and Anamorphic 2:1) - 2K (16:9, 2:1, and Anamorphic 2:1)

 

DELIVERY FORMATS:

4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) - 2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) - n1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG

Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4

 

MONITOR OUTPUTS HD-SDI and HDMI with Frame Guides and Look Around 720p RGB or 4:2:2 - SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

 

MONITOR OPTIONS RED LCD 5" Flat Panel Display - RED PRO LCD 7" Flat Panel Display - BOMB EVF (OLED) High Definition Viewfinder

DIGITAL MEDIA : REDMAG 1.8"

AUDIO 4 channel, uncompressed, 24-bit 48 kHz